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An Author's Perspective


The DuPont Legacy

By Ken Brosky
Sunday, Jan 27 2008, 04:14 PM

Dupont, it seems, has been attempting to buy up all recorded copies of the military marching tune "Napalm Sticks to Kids." Dupont, a maker of napalm, most likely sees this type of song as a threat to its consumer-friendly image. After all, Dupont has its fingers in every aspect of our society, and you better believe it's still profiting on the death of human beings. In 2003, before the U.S. could "sanitize" Saddam Hussein's report to the United Nations, DuPont was listed as one of the companies that supplied Saddam with materials necessary for his chemical, biological and early nuclear weapons programs.

Why should this bother you? Well, if you enjoy smoking pot and wonder why it's illegal, you can partially blame DuPont. If you're wondering why hemp is illegal, you can partially blame DuPont. While FDR was trying to improve working conditions, DuPont/General Motors was working its employees to death and assembling a terrorist group known as the "Black Legion" to fight unionization efforts in the American Midwest.

DuPont also helped those nefarious bigots in Germany (I can't actually say the real word, but it rhymes with "hotsies").

Scary? You bet. For more history of the company, click here.

How does this relate to you? Because this company is so streamlined into our culture that it's impossible to boycott. How do we quantify or qualify the positive contributions of a corporation or the negative contributions? DuPont's war profiteering may be bad, its collaborations with Germany during and before World War II may be horrendous, but this IS the same company that gave us Spandex. Sure, DuPont poisoned babies on a regular basis (then covered it up), but they also invented Teflon. Your call.

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About Ken Brosky

Ken Brosky is fiction author and editor-in-chief of Brew City Magazine, a literary e-zine available online. After graduating with his bachelor's degree in creative writing from UW-Eau Claire, he moved back to Bay View to start his own editing business, continue writing, and establishing himself as a progressive voice in politics.
 
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